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  • Jürg Frey: String Quartets in PAN M 360

    “Critique”, Frédéric Cardin, PAN M 360, March 17, 2025
    Monday, March 24, 2025 Press

    Quatuor Bozzini is reissuing an album on its own label that gained fame when Björk mentioned it in an interview. It’s String Quartets by Jürg Frey, published by Éditions Wandelweiser in 2006. It is now out of print.

    String Quartets presents the Swiss composer’s first two string quartets, including the masterly and almost ghostly Streichquartett 2. For almost half an hour, delicate chords constructed in semitone harmonics and dynamics that rarely exceed triple piano follow one another with highly subtle transformations, creating a disembodied, spectral and vaporous atmosphere. Harmony is blurred to the point where a gradually building consonant framework is perceived rather than heard. Frey is an ascetic of Minimalism.

    The first quartet is based on the same structural thinking, though it is more assertive in its gestures and volume of sound. Two miniatures complete the programme, the Zwei allerletze Sächelchen (Two very last things), each lasting no more than a minute. Like musical haikus, they disappear as soon as they are recited, leaving the audience to deepen their understanding long after listening. Since this album, the Bozzinis have premiered other works by Frey, including String Quartet No. 4, which received critical acclaim last year. A monument to austere, stoic minimalism.

    A monument to austere, stoic minimalism.

    Je suis calme et enragé·e in PAN M 360

    “Critique”, Frédéric Cardin, PAN M 360, March 17, 2025
    Monday, March 24, 2025 Press

    Je suis calme et enragé·e (I am calm and angry) by Egyptian-Québécoise Nour Symon is a plunge into strangeness. A musical strangeness carried by an almost noisy score made up of infernal vocalizations and acid sound waves, electronic and acoustic, which support the often intense declamation of expressionist poetic texts by Roxane Desjardins. The result is an existential manifestation of presence in the world, inspired initially by the 2012 Printemps érable in Quebec, the moment of the ‘genesis of the project’, according to Symon. Echoes of Diamanda Galas are perceptible in this demanding and disconcerting work.

    Nour Symon is undoubtedly one of the boldest musical voices in contemporary Quebec, one of those who dares to go the furthest. Her creative language is an uncompromising assault on the prevailing conservatism.

    It’s the kind of music that sadly drives away the traditional mass media, and makes those like PanM 360 so indispensable.

    Nour Symon is undoubtedly one of the boldest musical voices in contemporary Quebec…
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