Originally Lauzier is saxophone and clarinet player and does so with people from the world of improvised music. However since 2014 he also works on the development of an instrument of his own, half way between something to look at and to be played, which he calls Gritty. On his solo cassette Dôme we hear a recording of a somewhat more developed version of that, recorded in Montréal in 2015. The instrument consists of bells, zithers, motors and a Korg synthesizer, and on this tape there are two seventeen-minute pieces that simply sound beautiful. This is the kind of acoustic drone music that I enjoy a lot. The motor based devices spinning against strings and metal objects, complete with just a fine dash of reverb (I have no idea what the Korg is doing here), make up for music that reminded me of Organum or early Paul Panhuysen. It is played by a human and has a very human touch, as opposed by objects being played in a similar way but controlled by midi or some sort of computer interference. Lauzier creates a massive texture with all sorts of small sounds happening above and below the über-drone, and sometimes it veers towards feedback and noise, but every time Lauzier knows how to move back and take control again. There is not much difference between both sides, which is good; I had it on repeat all afternoon, doing all sorts of boring computer work and every now and then I sat back and listened more closely, effectively doing the same as the music; moving around while going from quiet to loud and back again. Excellent release.
![Yves Daoust [Photo: Alice Perrin, Montréal (Québec), 16 janvier 2022]](https://res.electrocd.com/image.php/image/d/daoust_yv.12303.jpg?width=n2&cropratio=1:1)