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  • Small Tease in Monsieur Délire

    “Listening Diary”, François Couture, Monsieur Délire, December 14, 2009
    Monday, December 14, 2009 Press

    Montréal guitarist Antoine Berthiaume’s most accessible record to date — yes, even more so than Rodéoscopique! A splendid set of 11 short pieces, all in an alt-country setting, with drums, bass, pedal steel, and strings. Antoine plays guitar, banjo and dobro. Simple yet sophisticated tubes with gorgeous and immediate melodies, short moments of craziness, and well-matured instrumental songwriting. Biscuit volé“Biscuit volé” even has a feel of Philip Glass revisited by Ennio Morricone. Bravo! I had to draw a line for my 2009 year-end lists, and that’s done, so Small Tease is officially the first serious contender for my 2010 year-end lists!

    A splendid set of 11 short pieces, all in an alt-country setting, with drums, bass, pedal steel, and strings.

    Bridge in Monsieur Délire

    “Listening Diary”, François Couture, Monsieur Délire, December 14, 2009
    Monday, December 14, 2009 Press

    A strong record, demanding but captivating. Montréal bass clarinetist Lori Freedman offers here a CD of contemporary music. And through this set of works composed for bass clarinet (by Michel Galante, Pascal Dusapin, Giacinto Scelsi, Franco Donatoni, Georges Aperghis, Monique Jean, and herself), she slips in three improvisations where she develops ideas (as fleeting as they may be) sourced within those works. It ties the album together while making the bounderies between composition/improvisation and composer/performer hazier. The Jean piece (the only mixed electroacoustic piece) is worth a special mention, along with the Scelsi (for the bright performance).

    A strong record, demanding but captivating.
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