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  • October 7 – 15, 2009: Ze Bigue Band Live x 4 in Montréal

    Monday, October 5, 2009 In concert

    On October 7, 8, 14, and 15, 2009, Tour de Bras is in Montréal for four nights of improvisations with Ze Bigue Band, the cream of musicians of Rimouski and Montréal. A family reunion through the Maisons de la culture: Côte-des-Neiges, Ahuntsic, Plateau-Mont-Royal and Frontenac. You will hear amongst others, the musicians Michel F Côté,Martin Tétreault, Éric Normand, Jean Derome, Bernard Falaise, Philippe Lauzier, Isaiah Ceccarelli, Pierre-Yves Martel, Lori Freedman, Gordon M Allen, Brigitte Lacasse, Diane Labrosse and Danielle Palardy Roger.

    Pas de deux in All About Jazz

    “Review”, Marc Medwin, All About Jazz, October 4, 2009
    Sunday, October 4, 2009 Press

    Pas de deux, Frith’s duo disc with percussionist Danielle Palardy Rogers, a stunning series of improvisations that, according to the notes, are somehow edited and even superimposed. The results are intriguing and diverse. Contrast the frenetic power and fractious pointillisms of Dernier cri with the ageless beauty and meditative grace of L’Auberge des Quatre vents 1, with its flute-like guitar work and eventual shamanistic vocalizations. The recordings are first-rate, details coming to the fore while the overall picture is never marred or blurred.

    The recordings are first-rate, details coming to the fore while the overall picture is never marred or blurred.

    Somewhere the Sea and Salt in HurdAudio

    “Extended piano, objects”, Devin Hurd, HurdAudio, October 3, 2009
    Saturday, October 3, 2009 Press

    Animated by a pair of inspired ideas: a steady focus on extended piano technique as a timbral playground of percussive expanse and recording this material from the perspective of the performer. It’s amazing how much the nuances of extended piano sounds shift relative to the ears perceiving the struck, plucked, strummed and manipulated strings within the instrument. Somewhere the Sea and Salt is offered as a creative encyclopedia of sonorities discovered and coaxed by Chan from the piano. The use of resonance is particularly striking — and a clear path of innovation. The short tracks unfolding as poetry written in sonority.

    The use of resonance is particularly striking — and a clear path of innovation.
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