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  • 4. Hmmm in emoRAGEi

    “De zéro à disque”, Nicolas Pelletier, emoRAGEi, February 11, 2007
    Sunday, February 11, 2007 Press

    Tétreault et Otomo sont deux artistes de la table tournante. Le Montréalais est probablement plus connu de ses concitoyens, ayant partagé la scène des Jean Derome, Diane Labrosse et Michel F Côté depuis des lunes. On l’a apprécié pour sa façon de manier les vinyles dans un enchaînement débridé. Tétreault a toutefois délaissé le côté «transmetteur» de l’engin pour se concentrer sur les bruits qu’émet un tourne-disque: frottements, grincements, rotations… Plus subtil. Moins mélodique. Otomo, quant à lui, a formé l’influent groupe Ground Zero et se passionne pour «l’électronique minimale de basse fréquence». On a donc affaire ici à la rencontre de deux bruitistes incongrus. L’album 4.Hmmm est le quatrième de la série publiée par le duo, enregistré lors d’une tournée de 15 concerts en 16 jours. Il contient des éléments rejetés de 1. Grrr, 2. Tok et 3. Ahhh. Pour public averti.

    February 24, 2007: MNM Opening Event: Spatio lumino

    Friday, February 9, 2007 In concert

    Meet up with Espaces sonores illimités (ESI), Jean Derome, Bernard Falaise, Lori Freedman, Pierre Labbé, Diane Labrosse, Pierre Tanguay, and light designer Eric Belley in a musical improvised work entitled Spatio lumino. This performance will take place on Saturday February 24, 2007 at the Société des arts technologiques, in Montréal, as part of the opening show of the 3rd Montréal/Nouvelles musiques (MNM) festival.

    Bozzini Quartet in Borås Tidning

    “The Finest Minimalism”, Rolf Haglund, Borås Tidning, February 9, 2007
    Friday, February 9, 2007 Press

    With an audience twice as big as normally come to these concerts, Quatuor Bozzini (who make a virtue of performing almost completely without vibrato and with extremely clean intonation) gave another of their dream performances last Wednesday evening. First a fine show of new world minimalism, thereafter examples of the old world’s more melancholic moods in three such fine versions that it bordered on the sublime.

    Three quartets by Alvin Lucier made use of microscopic changes in pitch, in the piece Navigations, down to a thousandths of a half tone. Obviously this is impossible to hear, but is still perceived as beatings in the slowing tempo and dynamic — almost the same feeling as when the smallest sounds become more present in thick fog.

    Even more extreme dynamic variations down to the barely audible were presented in the next piece, a thoroughly exquisite quartet by minimalist legend Terry Jennings.

    Could anything be cleaner, deeper, more precious? Well yes, old Europe won the game, at the same time of course as the Bozzini’s brought forth maximum closeness and stringence.

    Jeney’s Ricercare captures the whole spectrum, from Gregorian chant to bitter contemporarity.

    Of Allgen, a first performance of his whole notes movement from the gigantic Quartet No 3 composed in 1943 — a chorale of eternity performed as though on an organ, a deeply touching simplicity, even more elevated translated to four strings.

    And still, as usual Aldo Clementi was the one to finally open up the heavenly gates with his masterwork Momento.

    … it bordered on the sublime.

    February 21 – 23, 2007: Wolves Waiting for New Moons

    Thursday, February 8, 2007 In concert

    We are looking forward to seeing the continuation of Treize lunes series, a complete show created by Daniel Soulières, Louise Bédard, Jean Derome, Antoine Berthiaume, and Lucie Bazzo. This time, 7 artists wil get together to howl at the moon: first, on Wednesday February 21, then on February 22, and on February 23,2007, very last chance to take part in this extraordinary event. The show brings together 7 artists of Danse-Cité and the Ensemble SuperMusique (you should go on SuperMusique website to check out where the performances will take place: url below). In addition, you may want to listen to the new album’s group Nouvelle musique d’hiver

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