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Marianne Trudel

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  • More reviews might be found in the pages of this artist’s albums.

    Critique

    Richard Boisvert, Le Soleil, October 28, 2013
    The two best moments? Soon, defended with vigour by Marianne Trudel and supported by Dave Liebman’s brilliant improv, at the very end of the first half, and David Amram’s charming and exotic Aya Zhen.

    Critique

    Guillaume Bourgault-Côté, Le Devoir, September 28, 2013
    And if there is always a question mark related to this type of performance, Marianne Trudel maintains that it is precisely this type of vertigo that represents the essence of jazz. Going on stage without knowing exactly what will happen. Being in the moment, always.

    Critique

    Mathieu Charlebois, L’actualité, September 15, 2013
    Whether she is writing for the 17 musicians of Montreal’s Orchestre national de jazz or for a trio, Marianne always puts forward a greatly refined musical offering.

    Review

    JD Considine, The Globe and Mail, September 5, 2013
    Trudel, the hottest young pianist on the Montréal jazz scene.

    Marianne Trudel — la pianiste exploratrice

    Isabelle Craig, Radio-Canada: Médium large, August 12, 2013
    She takes the piano through all the musical styles, from jazz to classical, including a taste of rhythms from around the world. The pianist-composer-improviser explores and pushes her instrument to its limits and beyond.
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