Phil England, The Wire, no 167, 1 janvier 1998
Chris Migone’s Hole In The Head uses vocal utterances and raw body of incidental, abrasive and mediated sound in equal measure. Many of these short pieces are inspired by “insane” writings and often use materials generated during Christof’s now defunct weekly radio show. The sensuality of sound is put at the service of Migone’s schizophrenic art — an art which mirrors disordered, fragmented, interrupted, lateral thought and present psychological excavations as densely edited sound poetry. In synthesising and extending the ideas of Burroughs (cut-up) and Artaud (psychological substance of glossolalia) Christof has crafted out a territory all his own.
