vex
Christof Migone
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- Compositeur·trice(s): Christof Migone
- Interprète(s): Michel F Côté, Gregory Whitehead, Louis Ouellet
- Image de couverture: Christof Migone
CD (AVTR 009, 1998)
- Cet article n’est pas disponible via notre site web. Nous l’avons catalogué à titre informatif seulement.
- Vous trouverez peut-être de l’information supplémentaire à propos de cet article sur le site de OHM / Avatar.
- 1Marche arrière: Zone Satie (1998), 20:04
- 1La phonométrie, 2:48
- 2Vive les amateurs, 2:04
- 3
- 4
- 5A comme analphabète, 2:49
- 6I am a war machine, 3:52
- 7
- 8Are you a war machine, 2:30
- 9Numéro 9, 1:57
- 10Satie hardcore, 1:00
- 11Cris-cris: Zone Artaud (1998), 19:51
- 11La voix sans organes, 1:59
- 12Chez Rodez, 4:03
- 13Broadcast for Bardo, 1:08
- 14Channel surf morpion, 1:17
- 15
- 16Merde, 1:03
- 17
- 18
- 19Corps dans le vide: Zone Deleuze (1998), 21:50
- 19La philosophie, 3:15
- 20Je fuis ce que je suis, 0:41
- 21Defenestrer, 5:13
- 22La nulle vérité, 2:00
- 23Déterritorialisation, 2:12
- 24
- 25Parler sale, 1:00
- 26Le pli, 4:25
- Étiquette: OHM / Avatar
- AVTR 009
- 1998
- UCC 771028210923
- Durée totale: 62:26
Sur le web
La presse en parle
Soundcheck Review
Chris Migone’s Hole In The Head uses vocal utterances and raw body of incidental, abrasive and mediated sound in equal measure. Many of these short pieces are inspired by “insane” writings and often use materials generated during Christof’s now defunct weekly radio show. The sensuality of sound is put at the service of Migone’s schizophrenic art — an art which mirrors disordered, fragmented, interrupted, lateral thought and present psychological excavations as densely edited sound poetry. In synthesising and extending the ideas of Burroughs (cut-up) and Artaud (psychological substance of glossolalia) Christof has crafted out a territory all his own.
Review
Students of psycholinguistics and sympathisers with Bertold Brecht’s ideas on interactive radio should recall Christof Migone’s sound breaking show on CKUT-FM, Danger in Paradise, whence a goodly chunk of this “schizophonic art” is culled. Mics are misused, CD players skip, syllables are snipped and recognized languages lapse into what Allen S. Weiss calls in the liner notes “Migone’s oral and aural contortions, ruins, lacerations, abrasions and ruptures. “ Great fodder for your answering machine. 8/10
