Shadows of Forgotten Ancestors dans Signal to Noise «Review», Seth Watter, Signal to Noise, no 57, 1 mars 2010 lundi 1 mars 2010 Presse Shadows of Forgotten Ancestors Wiens’ touchstones are not just the 20th-century’s avant-garde movements, but the language of the griot, of birds, of human breath — always moving backwards in search of origins.
Infininiment dans Signal to Noise «Review», Marc Medwin, Signal to Noise, no 57, 1 mars 2010 lundi 1 mars 2010 Presse Infininiment The disc’s timbral exploration give new life to Côté’s always fine drumming, and make this a highly satisfying new disc.
Shaman dans Signal to Noise «Review», Marc Medwin, Signal to Noise, no 57, 1 mars 2010 lundi 1 mars 2010 Presse Shaman The final part is particularly effective, a powerful performance that nonetheless remains transparent.
Jean Derome, John Geggie dans Musicworks «Guelph Jazz Festival», Ken Waxman, Musicworks, no 106, 1 mars 2010 lundi 1 mars 2010 Presse Jean Derome
Infininiment dans Blow Up «Recensione», Stefano Isidoro Bianchi, Blow Up, no 142, 1 mars 2010 lundi 1 mars 2010 Presse Infininiment
Shadows of Forgotten Ancestors dans Musicworks «Review», Stuart Broomer, Musicworks, no 106, 1 mars 2010 lundi 1 mars 2010 Presse Shadows of Forgotten Ancestors The most powerful work on the CD is also the longest.
![Jean Derome [Photo: Jean-Claude Désinor, Montréal (Québec), août 2009]](https://res.electrocd.com/image.php/image/d/derome_je.5968.jpg?width=n2&cropratio=1:1)