If you’ve ever heard and enjoyed avant garde works like David Byrne’s The Catherine Wheel (or even The Body by Roger Waters and Ron Geesin), then you might find the sound sculptures by Diane Labrosse to be delectable. Of the 29 short pieces, I particularly enjoyed the hymn Temerite, which is graced with a surprising willingness to be musical, and the minimalist Pudeur, which features some spooky cool whispers. I wasn’t really fond of anything else, but at least there aren’t too many back-to-back-punches (like the unfathomably irritating Pondération and Discernement ) that make you want to throw a brick on her CD.