Montréal’s Tim Brady is a true mad scientist of guitar sound, placed here on Earth, it seems, to smash the barriers between high and low culture. His wild guitar sounds are daggers in the heart of classical music pretense, and God love him for it. The title of Brady’s latest tells much of the story, as it’s certainly the guitar playing that deserves top billing. Here, the music has a relentless drive to it and, to be honest, it is a bit wearying at times, but at the same time, one has to admire the way that Brady works with Lorraine Vaillancourt’s NEM to bring out their playful side.