Pas de deux, Frith’s duo disc with percussionist Danielle Palardy Rogers, a stunning series of improvisations that, according to the notes, are somehow edited and even superimposed. The results are intriguing and diverse. Contrast the frenetic power and fractious pointillisms of Dernier cri with the ageless beauty and meditative grace of L’Auberge des Quatre vents 1, with its flute-like guitar work and eventual shamanistic vocalizations. The recordings are first-rate, details coming to the fore while the overall picture is never marred or blurred.