The music on Grand Line consists of two separate components: musical compositions and form compositions, and explores form as a malleable object in shaping musical content. Founded on a fixed music material it is an approach which mixes arbitrariness with intention, and at the same time relying heavily on the creativity of the players involved. The sounding result might seem entropic, and at times leave both listeners and performers puzzled and perplexed, but the goal with the recording has not been to restate what has already been defined or accepted, but to challenge recognizable patterns and contribute to the expansion and evolution of our musical consciousness and the multitude of possibilities in which musical events can order themselves.