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Track listing detail

Malgré tout face A

Ensemble SuperMusique (ESM)

Malgré tout face A

  • Martin Tétreault
  • Year of composition: 2012
  • Duration: 5:12
  • Commission: Productions SuperMusique, with support from the CCA

Stereo

ISRC CAA4J1210091

  • 44,1 kHz, 16 bits

“Malgré tout” is at one time an economical, dense and educational composition. It will enable the audience to enjoy 9 musicians playing each a concertino based on 9 pre-determined and approved musical archetypes. All musicians will play simultaneously, in the same room, but without the same purpose nor any audio or visual cue. In short, it’s only a mix of different styles of music, really…

Premiere

  • May 19, 2012, FIMAV 2012: Bruit court-circuit, Colisée des Bois-Francs, Victoriaville (Québec)

Mastering

Performers

SM: re-trait de l’abjection

Ensemble SuperMusique (ESM)

SM: re-trait de l’abjection

  • Alexandre St-Onge
  • Year of composition: 2012
  • Duration: 10:00
  • Commission: Productions SuperMusique, with support from the CCA

Stereo

ISRC CAA4J1210092

  • 44,1 kHz, 16 bits

SM: re-trait de l’abjection is an attempt at exhausting the possible, in order to undecidedly attain the impossible, through testing the tremendous difference born out of a repetitive and obsessive process.

A few more words about the process:

am ré trait de l’an j’écris toi
L’ire déc. Isabel blé procès
De l’ex crithme ré par biffure
À cumuls latino et effacement
L’impression ré ci sur le seuil
L’a et l’autre sont indistincts
Ne pas pouvoir et s’en ça t
Syntaxe the de l’impôt s’il

Premiere

  • May 19, 2012, FIMAV 2012: Bruit court-circuit, Colisée des Bois-Francs, Victoriaville (Québec)

Mastering

Performers

Acouphènes en partage

Ensemble SuperMusique (ESM)

Acouphènes en partage

  • Danielle Palardy Roger
  • Year of composition: 2012
  • Duration: 8:25
  • Commission: Productions Plateforme with support from FIMAV, and Fonds de recherche et création de Productions SuperMusique

Stereo

ISRC CAA4J1210093

  • 44,1 kHz, 16 bits

Tinnitus is the perception of sound within the human ear in the absence of corresponding external sound; in its subjective form, it can only be heard by the affected person. These perceived sounds are what I call “ghost sounds”: they are both familiar and persistent. This composition attempts to both classify and share with other musicians and listeners a few of these “ghosts”.

Premiere

  • May 19, 2012, FIMAV 2012: Bruit court-circuit, Colisée des Bois-Francs, Victoriaville (Québec)

Mastering

Performers

Malgré tout face B

Ensemble SuperMusique (ESM)

Malgré tout face B

Stereo

ISRC CAA4J1210094

  • 44,1 kHz, 16 bits

“Malgré tout” is at one time an economical, dense and educational composition. It will enable the audience to enjoy 9 musicians playing each a concertino based on 9 pre-determined and approved musical archetypes. All musicians will play simultaneously, in the same room, but without the same purpose nor any audio or visual cue. In short, it’s only a mix of different styles of music, really…

Mastering

Performers

Poème à faible résistance

Ensemble SuperMusique (ESM)

Poème à faible résistance

  • Joane Hétu
  • Year of composition: 2012
  • Duration: 12:45
  • Commission: Productions SuperMusique with support from the Fonds de recherche et création de Productions SuperMusique

Stereo

ISRC CAA4J1210095

  • 44,1 kHz, 16 bits

What is this: monochrome sonic snippetts accompanying an ancestral-sounding chant? A noisy environment sabotaged by a euphonic voice? A micro-sampling of sound waves subverted by a melody?

Premiere

  • May 19, 2012, FIMAV 2012: Bruit court-circuit, Colisée des Bois-Francs, Victoriaville (Québec)

Mastering

Performers

Le fruit du hasard

Ensemble SuperMusique (ESM)

Le fruit du hasard

  • Jean Derome
  • Year of composition: 2012
  • Duration: 12:04
  • Commission: Productions SuperMusique, with support from the CCA

Stereo

ISRC CAA4J1210096

  • 44,1 kHz, 16 bits

Every musician will determine live on stage — throwing both dice and coins — the type, the character and the duration of each one of his or her interventions. No traditional music notation will be involved.

Premiere

  • May 19, 2012, FIMAV 2012: Bruit court-circuit, Colisée des Bois-Francs, Victoriaville (Québec)

Mastering

Performers

Scores