Scene 1 — Montréal

Tim Brady

Scene 1 — Montréal

Tim Brady
Year of composition: 2005
Duration: 18:00

Stereo

ISRC CAA4J0510108

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 1 — Montréal, 1: prelude: Three Cities: You Must Remember (Pai-Chou-En) poem, To Pony, Aug. 31, 1935 and letter, Oct. 8, 1935 (N. Bethune); poem: To Pony, Aug. 31, 1935 and letter, Oct. 8, 1935 (N. Bethune)

Tim Brady

prelude: Three Cities: You Must Remember (Pai-Chou-En) poem, To Pony, Aug. 31, 1935 and letter, Oct. 8, 1935 (N. Bethune); poem: To Pony, Aug. 31, 1935 and letter, Oct. 8, 1935 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510109

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 1 — Montréal, 2: poem, An Immigrant (Dorothy Livesay, Montreal)

Tim Brady

poem, An Immigrant (Dorothy Livesay, Montreal)

Tim Brady

Stereo

ISRC CAA4J0510110

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 1 — Montréal, 3: Incantation 1, letter, Nov. 6, 1935 (N. Bethune)

Tim Brady

Incantation 1, letter, Nov. 6, 1935 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510111

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 1 — Montréal, 4: poem, Depression Suite (Dorothy Livesay, Montreal)

Tim Brady

poem, Depression Suite (Dorothy Livesay, Montreal)

Tim Brady

Stereo

ISRC CAA4J0510112

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 1 — Montréal, 5: letter, Oct. 8, 1935 (N. Bethune)

Tim Brady

letter, Oct. 8, 1935 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510113

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 2 — Madrid

Tim Brady

Scene 2 — Madrid

Tim Brady
Year of composition: 2005
Duration: 17:40

Stereo

ISRC CAA4J0510114

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 2 — Madrid, 1: prelude: El Segador (songs from the Spanish Civil War)

Tim Brady

prelude: El Segador (songs from the Spanish Civil War)

Tim Brady

Stereo

ISRC CAA4J0510115

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 2 — Madrid, 2: poem, The Defense of Madrid, the Defense of Catalonia, (Rafael Alberti, Madrid)

Tim Brady

poem, The Defense of Madrid, the Defense of Catalonia, (Rafael Alberti, Madrid)

Tim Brady

Stereo

ISRC CAA4J0510116

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 2 — Madrid, 3: The Evacuation of Malaga, pamphlet, Feb. 7, 1937 (N. Bethune)

Tim Brady

The Evacuation of Malaga, pamphlet, Feb. 7, 1937 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510117

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 2 — Madrid, 4: poem, I Come from Cuatro Caminos, Jan. 1937 (N. Bethune)

Tim Brady

poem, I Come from Cuatro Caminos, Jan. 1937 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510118

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei)

Tim Brady

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei)

Tim Brady
Year of composition: 2005
Duration: 12:31

Stereo

ISRC CAA4J0510119

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei), 1: prelude

Tim Brady

prelude

Tim Brady

Stereo

ISRC CAA4J0510120

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei), 2: poem, Untitled (Lu Xun, China)

Tim Brady

poem, Untitled (Lu Xun, China)

Tim Brady

Stereo

ISRC CAA4J0510121

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei), 3: Incantation 2, letter, Aug. 15, 1939 (N. Bethune)

Tim Brady

Incantation 2, letter, Aug. 15, 1939 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510122

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei), 4: poem, Autumn 1939, (Dorothy Livesay, Montreal)

Tim Brady

poem, Autumn 1939, (Dorothy Livesay, Montreal)

Tim Brady

Stereo

ISRC CAA4J0510123

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei), 5: reprise, letters, Aug. 15, 1939 and July 1, 1939 (N. Bethune)

Tim Brady

reprise, letters, Aug. 15, 1939 and July 1, 1939 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510124

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)

Performers

Scene 3 — Chin Ch’a Chi (now: Shanxi-Charhar-Hobei), 6: final letter, Nov. 11, 1939 (N. Bethune)

Tim Brady

final letter, Nov. 11, 1939 (N. Bethune)

Tim Brady

Stereo

ISRC CAA4J0510125

44,1 kHz, 16 bits

Mastering

Morris Apelbaum • Silent Sound Studio, Montréal (Québec)