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Soundcheck Review

Julian Cowley, The Wire, no. 193, March 1, 2000

Canadian sound artist Heimbecker creates unusually spacious and unhurried montages. They may be reflections of his prairie upbringing, but they are assuredly products of his ‘sound sailing’ technique — locating open microphones in the sound space to generate frequency feedback loops as they are processed through digital delays. Voice and breath, gentle environmental sounds, small machines and a sense of humour are key ingredients. Much of it feels boundless, yet electroacoustic composition is rarely so habitable as here.

The Enormouslessness of Cloud Machines
… electroacoustic composition is rarely so habitable as here.