Guillaume Bourgault-Côté, Le Devoir, December 15, 2018
In the body of work by tremendous artist Joni Mitchell, jazz exists on a diagonal. Its presence is sometimes evident, sometimes subtle, a few colours in the rich tableaux of the most important Canadian catalogue after Leonard Cohen’s. The project of Karen Young (vocals) and Marianne Trudel (piano and arrangements) could not have better exalted and showcased this aspect. The poetry, the harmonies: nothing but beauty. In one piece:Both Sides Now.
