Ten sound-graffiti artists split into nine units create a resounding mural using 40 tags in succession or overlapping, like the brief and unique signatures that adorn the walls of big cities.

— Joane Hétu [English translation: Elizabeth Millar]

Ana Dall’Ara-Majek a écrit l’article «Tags de Joane Hétu et TanGRAM de Danielle Palardy Roger: signatures plurielles et figure continue» publié dans la Revue Circuit (volume 30, numéro 2) et qui est disponible en ligne (pdf).

Premiere

• October 4, 2018, Bozzini Quartet; Quasar; Joane Hétu; Alexandre St-Onge • Cathédrale-graffiti: Concert 1, Amphithéâtre — Le Gesù, Montréal (Québec)
• October 5, 2018, Bozzini Quartet; Quasar; Nous perçons les oreilles • Cathédrale-graffiti: Concert 2, Amphithéâtre — Le Gesù, Montréal (Québec)

About this sound recording

This piece was recorded live during the second concert of the Cathédrale-graffiti series.

Recording

• October 5, 2018, John Klepko • Amphithéâtre – Le Gesù, Montréal (Québec)

Mixing

• October 5, 2018, John Klepko • Amphithéâtre – Le Gesù, Montréal (Québec)

Mastering

• September 28 – October 6, 2021, Ross Murray • Happyrock International, Chelsea (Québec)

Performers

• Nous perçons les oreilles (Joane Hétu; Jean Derome)
• Bozzini Quartet (Alissa Cheung, violin; Clemens Merkel, violin; Stéphanie Bozzini, viola; Isabelle Bozzini, cello)
• Quasar (Marie-Chantal Leclair, soprano saxophone; Mathieu Leclair, alto saxophone; André Leroux, tenor saxophone; Jean-Marc Bouchard, baritone saxophone)