Shadows of Forgotten Ancestors in Signal to Noise “Review”, Seth Watter, Signal to Noise, no. 57, March 1, 2010 Monday, March 1, 2010 Press Shadows of Forgotten Ancestors Wiens’ touchstones are not just the 20th-century’s avant-garde movements, but the language of the griot, of birds, of human breath — always moving backwards in search of origins.
Infininiment in Signal to Noise “Review”, Marc Medwin, Signal to Noise, no. 57, March 1, 2010 Monday, March 1, 2010 Press Infininiment The disc’s timbral exploration give new life to Côté’s always fine drumming, and make this a highly satisfying new disc.
Shaman in Signal to Noise “Review”, Marc Medwin, Signal to Noise, no. 57, March 1, 2010 Monday, March 1, 2010 Press Shaman The final part is particularly effective, a powerful performance that nonetheless remains transparent.
Jean Derome, John Geggie in Musicworks “Guelph Jazz Festival”, Ken Waxman, Musicworks, no. 106, March 1, 2010 Monday, March 1, 2010 Press Jean Derome
Infininiment in Blow Up “Recensione”, Stefano Isidoro Bianchi, Blow Up, no. 142, March 1, 2010 Monday, March 1, 2010 Press Infininiment
Shadows of Forgotten Ancestors in Musicworks “Review”, Stuart Broomer, Musicworks, no. 106, March 1, 2010 Monday, March 1, 2010 Press Shadows of Forgotten Ancestors The most powerful work on the CD is also the longest.
![Jean Derome [Photo: Jean-Claude Désinor, Montréal (Québec), August 2009]](https://res.electrocd.com/image.php/image/d/derome_je.5968.jpg?width=n2&cropratio=1:1)