Four DAME albums are nominated for the 2006 Opus Prizes. Steve Reich: Different Trains by the Bozzini Quartet and Three Cities in the Life of Dr Norman Bethune by Tim Brady are both nominated in the “Disc of the Year — modern and contemporary musics” category. As for Chansons de la belle espérance by Pierre Cartier and The Feeling of Jazz by Trio Derome Guilbeault Tanguay, they are nominated in the “Disc of the Year — Jazz and world musics” category. Additionally, Filature by Joane Hétu is nominated for “Premiere of the Year.” The 10th Opus Prize Gala will take place on January 28, 2006 at the Salle Claude-Champagne, Université de Montréal.

Norman Bethune was one of North America’s most prominent lung surgeans in Montréal, before he started to fight with the Republican International Brigade in Spain in 1936. Two years later he became a member of Mao Tse Tung’s Communist 8th Army. This album has been dedicated to this man, as Tim Brady used extracts from his letters and poetry of the 1930’s to come up with a modern opera. Michael Donovan’s baritone plays an important role, reciting the long texts, supported by lively piano play and an orchestra.

Le compositeur et guitariste canadien Tim Brady évoque à travers cet opéra hybride, qui allie la voix et l’électroacoustique aux instruments classiques, les dernières années de la vie du médecin humanitaire Norman Bethune qui a œuvré en Chine au début du 20^e siècle. Commandée par la Société Radio-Canada en 2002, l’œuvre n’a été présentée que trois fois à ce jour. Le baryton Michael Donovan met sa technique et sa voix impeccables au service de cet opus très original.

This cd introduces the newest work of canadian composer Tim Brady, played by his ensemble Bradyworks and baritone Michael Donovan. It is a one-act chamber opera written for voice, electric guitar, piano, percussion, saxophones, string quartet and tape. The work is inspired on the life and work of Norman Bethune (1890-1939) who was a talented surgeon and medical inventor who left his comfortable life in Montréal to fight with the Republican International Brigade in Spain in 1936, and finally to join the Chinese Army in early 1938. For this composition Brady used writings of Bethune that are sung by baritone Donovan. The opera has three parts, each one representing a phase of the life of Bethune: Montréal, Madrid and Chin Ch’a Chi. Evidently the texts play a central role in this work and because of that the voice of Donovan also. The composition and the instrumentation fulfill a serving role in evoking Bethune’s life through the texts. Brady makes good use of the different instruments from the ensemble. It’s a very colorful work and very well arranged and performed. And the composition is a successful dramatization of the story. Track eight for instance is almost rock-music reminding of the work of Louis Andriessen. Through tape Brady introduces sound-material that evokes the different geographical locations. For my ears this is most apparent in the part that tells of Bethune’s chinese adventures. I needed repeated listening before this opera began to talk to me. But in the end this thoroughly composed opera revealed its beauty for my ears.