Although Michel F Côté is announced as a ‘veteran of Montréal’s thriving experimental’, I never heard from him. He is active in the musique actuelle community (and perhaps better known by Vital Weekly’s Dolf Mulder). As Mecha Fixes Clocks he recorded an album with himself playing electronics, percussion, keyboards, accordion, machines, computer and home-made instruments, but inviting a whole bunch of people from Montréal to play a whole bunch of other instruments, such as clarinet, bass flute, trumpet, viola, piano but also sampled CD, needles (by Martin Tétreault) and home spun electronics (by Christof Migone). Despite the long list of people playing on this record and the vast amount of instruments, this is rather a ‘quiet’ record, almost pastoral in atmosphere. Sustained notes played on wind instruments, usually only a few at a time, a guitar being strummed in sheer isolation, the field recording of an otherwise empty desert: it is perhaps easy yet not be avoided, but one can say that this is music for films - I’m not sure what kind of film it would be, but the sparsely orchestrated richness offers potential to anyone with a camera. Great music, where less is more, indeed.