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Review

Dolf Mulder, Vital, no 550, 31 octobre 2006

You may have noticed that the canadian Ambiances Magnétiques label concentrated on new jazz in the last few years with there series of jazz releases. This trend is continued with the new associated label Malasartes. Although this label welcomes any new music, the first two releases are definitely jazz. The label is founded by Damian Nisenson, an argentinian born musician and actor who came from Europe to Montréal in 2005. He assimilated quickly it seems, as he presents now his own record on his own label. Not bad. Under the wings of DAME distribution his music will now also attract international attention, which was not the case for his musical activities in Argentina with Dosaxos 2 and the Nisenson Kabusacki Dawidowicz Trio. Except for one traditionel tune, Nisenson composed the rest of the music on Muzika. Performers are Jean Félix Mailloux on bass, Pierre Tanguay on drums and Nisenson on tenor, alt and sopranino saxes. If I’m not mistaken I hear klezmer-like influences in some the compositions. Also in his phrasing Nisenson I hear the influence of jewish music at some moments. These and other influences are melted succesfully in a music that in the end is very jazzy in nature. Nisenson proves himself as a disciplined and devoted player who knows what atmosphere he wants to create. The very experienced Tanguay delivers wonderfull contributions.

On Jean Félix Mailloux I can say more listening to the cd of his trio. With Arden Arapyan on piano and Jonathan Racine-Ménard on drums and Mailloux himself on bass this trio brings to life nine compositions of Mailloux. All three of them are young musicians of Montréal, active in miscellaneous musical contexts, which is the modus operandi nowadays for so many musicians that are open to what is happening. In the combination of this trio they met each other for their love for a very lyrical — nightclubbish — kind of jazz. The drummer shuffles his way almost timidly, as does the bass with its warm sound. This way both give room to the pianoplayer, who with his nice touch, plays wonderfull melodies. The compositions are ok, but also very conform the rules of this standarised kind of music. Nothing wrong with it, as it is very well done, but not my piece of cake. Allthough, I have to admit that this cd did tremble my prejudices on their feet, wanting to surrender to the swing.

These and other influences are melted succesfully in a music that in the end is very jazzy in nature.

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