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Music

Kevin Hainey, Eye, 21 février 2002

Lee Pui Ming moulds piano and vocal into a gleeful avant-garde concoction that is all her own. She playfully dances upon her keys, strings, framework and octaves with the bombastic grace of a slam-dancer in a rodeo. Sometimes perplexing and always intriguing, her style exudes an exhilarated and innocent freedom that makes it unique, an elegant simplicity hidden within complex expressive release that isn’t oblivious but natural. Ming’s energetic spontaneity (surely a sight when she’s performing live) is Who’s Playing?’s forte, though it often threatens to drown the end results in exuberance. What might benefit Ming is a little more restraint to emphasize her mastery and control of the boxed cables.

Lee Pui Ming moulds piano and vocal into a gleeful avant-garde concoction that is all her own.

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