This recording represents a long anticipated collaboration between two turntable manipulators, one from Québec, the other from Japan. It is a completely improvised work involving noise, needles, scratching and vinyl. Some of the tracks (Spoutnik) do show flashes of atmosphere and mood, yet many seem to be pointless, noisy messes (Debris and Friction).
This work is noise in the truest sense of the word. Convention has been completely disregarded for a totally experimental ethic that you will either enjoy or loathe. 21 situations is comprised of non-musical sonic deconstructions that embraces sound experimentation as the ’be-all end-all’. Perhaps this album would be more engaging if it wasn’t so left-field and the sound pallette wasn’t so abrasive.
Tétreault and Yoshihide have indeed suceeded in achieving audio environments, yet the substance factor is almost non-existant. Ultimately this work is forgettable, pointless and not worthy of repeated listenings. Members of the artistic “elite" may refer to this as daring and innovative, but the rest of us will just be left scratching our heads, wondering why studio time was wasted on such an undecipherable mess.