Atma Classique / ACD 22552 / 2008
Rupture de stock temporaire
Piotr Grella-Mozejko, composer, literary scholar, essayist, reviewer, translator; also: professional graphic artist and pianist. Born in Bytom, Poland and living in Canada since 1989, Grella-Możejko holds a PhD in Comparative Literature from the University of Alberta in Edmonton, Alberta (supervisor: Jonathan Hart; teachers included Edward Blodgett, Uri Margolin, Edward Mozejko, Paul Robberecht, and the late Milan Dimic); an MMus in Composition degree from the same university, where he studied with Alfred Fisher, Henry Klumpenhouwer and the late Christopher Lewis; and an MA degree in Political Sciences from the University of Silesia in Katowice, Poland (supervisor: Prof Anna Mielczarek-Bober). He also took private composition courses with the late Prof Edward Boguslawski and Prof Boguslaw Schaeffer. In 1994, Grella-Mozejko was the only Canadian selected to participate in the prestigious “June in Buffalo” Festival and Conference, where he attended lectures by and master classes with Milton Babbitt, Donald Erb, David Felder, Lukas Foss, Roger Reynolds, and Charles Wuorinen.
Described by the German press as demonstrating “uncompromising honesty” (Neue Zeitschrift für Musik), praised for his unorthodox aesthetics (Hannoversche Allgemeine Zeitung), and whose work is called “brawny, high-contrast… full of rich counterpoint and compelling textural changes” (The New York Times), “strikingly individual” (The Toronto Star), and “wonderful-sounding” (The Buffalo News, Buffalo, USA) Grella-Mozejko has written on commissions from, among others, The Alberta Foundation for the Arts, The Canada Council for the Arts, Canadian Broadcasting Corporation, Canadian Polish Congress, Edmonton Arts Council/Clifford E Lee Fund, Ensemble MW2, International Conversatorium of Organ Music, Polish Ministry of Culture and Art, as well as Polish Radio, Canadian Music Centre, and The Flanders Festival.
In 1997, he won the Alberta Motion Picture Industries Association (AMPIA) Award in Musical Score/Composer category (Black Angels by Cynthia Wells). Other prizes and awards include the All-Polish Composers’ Competition in Lódz, Poland (1985, aennea for guitar solo); the All-Polish Composers’ Competition in Kraków, Poland (1988, Motet for six vocal soloists), and The Pierre Boulez Canadian Composers Competition in Halifax, Nova Scotia (1991, Horror vacui — triptych for strings named by Pierre Boulez in third place). Grella-Mozejko is also recipient of the Social Sciences and Humanities Research Council of Canada Doctoral Fellowship (2000-02) as well as the University of Alberta Beryl Barns Award, Walter H Johns Fellowship, Andrew Stewart Memorial Graduate Prize, Marie Louise Imrie Graduate Award and, in 2004, a professional development grant awarded by the Canada Council for the Arts.
Presented in twenty-two countries in centres such as Antwerp, Athens, Basel, Berlin, Bilbao, Dublin, Geneva, Kassel, Kaunas, Kraków, London, Los Angeles, Lausanne, Mexico City, Montréal, New York, Ottawa, Paris, Prague, Princeton, St Petersburg, Seoul, Toronto, Turin, Ulaanbaatar, Utrecht, Vancouver, Vienna, Warsaw and Zürich, in recent years, Grella-Mozejko’s music has been commissioned, played and recorded by symphony and chamber orchestras in Canada and abroad (including orchestras in Edmonton, Halifax, Kraków, Kyiv, Regina, Scarborough, Wroclaw and Polish Radio Orchestra, Warsaw) as well as by such outstanding performers as the Bozzini, Penderecki and Szymanowski String Quartets, ARA Ensemble, Duo Dilemme, Duo Levent, Duo Majoya, Edmonton Saxophone Quartet, Ensemble MW2, The Hammerhead Consort, Hermes Ensemble, Mexico City Woodwind Quintet, Motion Ensemble, St Crispin’s Chamber Ensemble; flautists Chenoa Anderson, Karin Aurell, Iwona Glinka, Isabelle Schnöller; clarinettists Jean-Guy Boisvert and Harry Sparnaay; saxophonists Laurent Estoppey, Charles Stolte, William H Street, Andreas van Zoelen; violinist Elena Denisova, organists Marnie Giesbrecht, Carson P Cooman, Stillman Matheson, Stanisław Moryto; pianists Barbara Pritchard, Sylvia Shadick-Taylor, Kathleen Supové, Roger Admiral, Alexei Kornienko, Joachim Segger, and Daan Vandewalle, to mention just a few.
His works have appeared in Canada and Europe on Acte Préalable, Arktos, ATMA Classique, Centrediscs, CLEF Records, CML, Eclectra, New Music North, Prairie Sounds and edition zeitklang labels; have been broadcast and published in Canada, Europe and USA; and performed at numerous festivals and concert series across North America, Europe and Asia. A voting member of the Canadian Music Centre, General Manager of the Edmonton Composers’ Concert Society, Grella-Mozejko is also producer of the New Music Alberta concert series, and current editor of The Alberta New Music & Arts Review (which he founded in 1997). As a CD producer, he has a dozen releases to his credit, featuring works by almost seventy Canadian and international composers.
Bytom (Pologne), 1961
Résidence: Edmonton (Alberta, Canada)
Sur le web
Atma Classique / ACD 22552 / 2008
Piotr Grella-Mozejko, See Magazine, 20 mai 2010Magnificent!
In jazz, it is nothing strange to have a CD released by a trumpeter. Not so in the classical field. Amy Horvey is in a league of her own. Among those in the know, she is considered a genius. Big word, but justified fully by what we hear on the Ottawa-based musician’s debut CD. From a point of view of a composer exploring the “uncharted territories,” Horvey is a dream-interpreter. Technically impeccable, she also has incredible interpretive intelligence, emotional sensitivity and a great deal of enthusiasm for even the weirdest compositions, sometimes including strong extra-musical elements. There are two highlights on this CD, namely Cecilia Arditto’s Música Invisible, a fantastically innovative piece with a slew of unusual, yet beautiful sounds, and Apparatus inconcinnus from Canada’s own Ryan Purchase, a theatrical piece in which the trumpet sounds like a happily inebriated village storyteller. Magnificent!