Du souffle
Quasar
Ce sont sans doute les compositions de Simon Martin qui nous apparaissent les plus intéressantes. — Revue & Corrigée, France
… Quasar acquit themselves well with their efforts, and there’s no denying the heartfelt sentiment behind Andriessen’s work. — The Sound Projector, RU
- Compositeur·trice(s): Claude Vivier, Philippe Leroux, Louis Andriessen, Gilles Tremblay, Jimmie LeBlanc, Walter Boudreau
- Interprète(s): Quasar, Marie-Chantal Leclair, Mathieu Leclair, André Leroux, Jean-Marc Bouchard
- Image de couverture: Yechel Gagnon
- Graphisme: Fabrizio Gilardino
- Conseil des arts du Canada
CD (CQB 1617)
Hors-catalogue
Cet article n’est pas disponible via notre site web. Nous l’avons catalogué à titre informatif seulement. Vous trouverez peut-être de l’information supplémentaire à propos de cet article sur le site de Collection QB.
- 1Du souffle (Philippe Leroux) (1996), 19:10Arr. Philippe Leroux, 2003quatuor de saxophonesQuasar (Marie-Chantal Leclair, saxophone soprano; Mathieu Leclair, saxophone alto; André Leroux, saxophone ténor; Jean-Marc Bouchard, saxophone baryton)
- 2Levées (Gilles Tremblay) (2009), 10:26quatuor de saxophonesQuasar (Marie-Chantal Leclair, saxophone soprano; Mathieu Leclair, saxophone alto; André Leroux, saxophone ténor; Jean-Marc Bouchard, saxophone baryton)
- 2
- 3Interlude-Lent-Chant, 3:29
- 4Éclats, 4:08
- 5Fil rouge (Jimmie LeBlanc) (2012-13), 12:28quatuor de saxophonesQuasar (Marie-Chantal Leclair, saxophone soprano; Mathieu Leclair, saxophone alto; André Leroux, saxophone ténor; Jean-Marc Bouchard, saxophone baryton)
- 5Rouge [carré-rouge], 1:43
- 6Rouge [panique], 1:33
- 7Rouge [sang], 2:04
- 8Rouge [noir], 0:08
- 9Rouge [braise], 0:44
- 10Rouge [oubli], 3:25
- 11Rouge [innocence], 1:25
- 12Rouge [liminal], 1:26
- 13Pulau Dewata (Claude Vivier) (1977), 12:12Arr. Walter Boudreau, 1983quatuor de saxophonesQuasar (Marie-Chantal Leclair, saxophone soprano; Mathieu Leclair, saxophone alto; André Leroux, saxophone ténor; Jean-Marc Bouchard, saxophone baryton)
- 14Facing Death (Louis Andriessen) (1990), 18:49Arr. Louis Andriessen, 2012quatuor de saxophonesQuasar (Marie-Chantal Leclair, saxophone soprano; Mathieu Leclair, saxophone alto; André Leroux, saxophone ténor; Jean-Marc Bouchard, saxophone baryton)
- Étiquette: Collection QB
- CQB 1617
- 2015
- UCC 771028371723
- Durée totale: 73:05
- Boîtier sympathique
- 125 mm × 125 mm × 5 mm
- 45 g
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Critique


Whither Canada? Part 2
Quasar — the Quasar Quatuor de saxophones, to give them their complete name — also have a solo record of their modernistic saxophone work, Du souffle (CQB 1617). They tackle works by Canadian composers Philippe Leroux, Gilles Tremblay, Jimmie LeBlanc, Claude Vivier and Louis Andriessen. All convincing material and well played too, though LeBlanc’s Fil rouge strikes a chord on today’s spin, perhaps because of its extreme compression; very short segments in this 8-part suite, of which one lasts just 7 seconds, but still manages to say something with a few well-placed toots. I’ve tried reading the composer’s explanation of Fil rouge, but it loses me with its abstruse inter-textual associations. With the other pieces here, it’s notable how many of them stand on the cusp of turning into big-band jazz; there’s something about the chord changes, the awkward attempts to “swing”, and the occasional forays into “complexity” that feel like a laborious attempt to score something which any member of Duke Ellington’s orchestra could easily have played at the drop of a fedora. This jazz leaning is most evident on Facing Death, the 1990 composition by Andriessen, which explicitly attempts to pay homage to the music of Charlie Parker and Miles Davis. He originally composed this recasting of complex Be-Bop music for strings, knowing full well that “bebop is not at all idiomatic for string instruments”. It kind of misfires in this woodwind arrangement too, but Quasar acquit themselves well with their efforts, and there’s no denying the heartfelt sentiment behind Andriessen’s work. I just wish it didn’t make jazz seem so “worthy”, like some sort of improving text which we have to study, rather than simply dig.
Critique
Impressionant exercice sur ce nouveau disque «acoustique» de Quasar, quatuor de saxophones, groupe québécois très estimé. Des 5 longues compositions, nous retenonons la fantastique interprétation de Facing Death, composition de Louis Andriessen qui clôt l’album. Clin d’œil à Charlie Parker, ce morceau de 18 minutes est magnifiquement arrangé pour l’entrecoisement des 4 lignes de saxophone. Bebop et virtuosité.
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- Bruce Lee Gallanter, Downtown Music Gallery, 4 mars 2016