Très bon. — Monsieur Délire, Québec
Altering the paradigm so that each instrument is as important as any other creates a more equitable and satisfying performance — and boosts the trumpet’s role. — The WholeNote, Canada
The exquisite improvising trio of Jim Lewis, trumpet; Andrew Downing,double-bass; and Jean Martin, drums and trumophone, launch On a Short Path from Memory to Forgotten. This passionate and lyrical sequence of group improvisations introduces one of Toronto’s extraordinary creative music ensembles. The sound of an orchestra in a cosy little trio package.
CD (BR 0311)
- Étiquette: Barnyard Records
- BR 0311
- UCC 777320156228
- Durée totale: 56:31
- 126 mm × 141 mm × 6 mm
- 60 g
Sur le web
La presse en parle
Un trio d’avant-jazz trompette-contrebasse-batterie. Très vif, la musique bondit au visage, elle brille, elle tourne. Pourtant ce n’est pas dansant! Tout de même, Groove en a justement un, et Fourteen, à travers ses contorsions, esquisse quelque chose d’entraînant. De l’impro soutenue et parfois mordante, livrée à petites et moyennes doses (entre 2 et 10 minutes la portion). Très bon.
Altering the paradigm so that each instrument is as important as any other creates a more equitable and satisfying performance — and boosts the trumpet’s role. Toronto’s Jim Lewis, Andrew Downing and Jean Martin demonstrate this On a Short Path from Memory to Forgotten (Barnyard Records BR 0311 www.barnyardrecords.com). Consisting of 10 instant compositions, there is no foreground or background instrument. One tune for example could be a capriccio, as Lewis’ joyful trumpet blasts define the theme; another is dependent on Downing’s thumping bass pulsations; and almost all are illuminated more by the splashes of multiphonic color Martin creates with gamelan-like bell tones and triangle resonation than a steady beat from his regular kit. Showcasing Lewis’ phrasing, which ranges from staccato heraldic blasts to graceful flutters, is Eight, the tune in which his moderated a capella puffs give way to a rubato, double-time version of theme and finally to aviary chirps plus whistling resounds. These intertwine with martial rolls and rebounds from Martin and walking slap bass from Downing.