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Review

Phil Zampino, The Squid’s Ear, March 12, 2021

The Klaxon Gueule trio of Michel F Côté, Bernard Falaise and Alexandre St-Onge most recently released a 3-CD box set in 2018, and had been quiet up until this new release, the title of which loosely translates to Fully Unanimous. Unique in their catalog and potentially their quirkiest, this album finds all three on their usual instrumentation of drum, guitar and bass, but also on synthesizer and computers bringing a stronger electronic/synthetic element to their music. Abstract and with an often rubbery feel, the music strays into diverse territory, absorbing and releasing the listener. I’m sure few will agree with my analogy, but to my ears it feels like Kraftwerk merging with Biota’s earliest albums. By which I mean, I’m perplexed, which is exactly how I want to feel when I listen to a Klaxon Gueule album.

Perhaps one of the quirkiest releases from the Klaxon Gueule trio of Michel F Côté, Bernard Falaise and Alexandre St-Onge, performing respectively on drums, guitar and bass, and all on synthesizers and computer, recalling early electronic albums while adding a whimsical and alluring edge to their often darker and more experimental prior releases.

[…] recalling early electronic albums while adding a whimsical and alluring edge to their often darker and more experimental prior releases.