Masafat is the work of a trio: Kiya Tabassian on setar, and shuranguiz, both Persian string instruments plus violin, Pierre-Yves Martel on prepared contrabass and Ziya Tabassian on percussion. Ziya Tabassian is specialized in early as well as contemporary music. He released a solo album on Ambiances Magnetiques earlier, experimenting with old Persian music and improvisation. Kiya Tabassian received his initial training in Persian music and studied composition in Montréal later. He is co-founder of Constantinople, an ensemble that concentrates on medieval and renaissance music. Kiya and Pierre are also member of this ensemble. With Masafat, meaning “Distance” they joined for an adventurous undertaking: free improvisation combined with traditional Persian music and instruments. Not in every aspect a satisfying release. Sometimes it is a bit too amorph and unfocused for my taste. Maybe I’m not familiar enough with the grammar of eastern music. Anyway, there are also some very strong moments, like the opening of Casselma or the middle section of Dungevan. Or the bluesy tune Gatineau.