No doubt this label is in a lucky situation: the only mail arriving today where these two CDs, which included the 2008 release by Michel F Côté and a_dontigny, which is well beyond the six months that I usually have for accepting promo’s. This to avoid labels sending me complete back catalogues, and not because of being lazy. We know Et Records as a label from Canada with improvised music, but these two stretch the idea thereof. a_dontigny we know as someone from the No Type Records label with some highly charged musique concrete cut up music, whereas Michel F Côté is a known as an improviser on drums. That’s what he is playing here too, along with percussion, micros, tapes and electronics, and a_dontigny gets credit for cut-ups, drum machines and dsp. A bunch of (un-)invited guests also appear: Bernard Falaise, Alexandre St-Onge, Alexander MacSween and Jean René. I am not entirely sure how this was conceived, but I think this is the result of recording together some long night on drums and electronics, and then taking the recordings to the computer to effectively and extending mixing, chopping up, editing to create some wicked, crazy music. Hardly to be recognized as improvised music as such, this owes much more electronic music on one side and free rock on the other. Say Moha! or Rock Out but then a bit softer, a bit more structured and perhaps more electronic in their approach. Its however not an album that we can apply such words as ‘careful’ or ‘gentle’, as the music is a bit too mean for that. A high energy trip all around. Each track is in full speed mode, with tons of small sounds happening all around. One that doesn’t leave you untouched. One crazy fucked up form of improvised music.
The second release is by Philippe Lauzier on saxophones, bass clarinet, tubes and melodica together with Pierre-Yves Martel on prepared viola da gamba, two inch speakers, radios and contact mics. I assume, seeing this was recorded over a two day period, that this is a studio recording, which was later mixed by the two musicians, along with Dave Bignell. Improvised music of course, but quite an odd one. The nine pieces are relatively short and in a strange sort of way quite noisy. Strange because the bigger part the music is acoustically made, but with that bit of amplification that makes all the scraping sounds wandering off every now and then in the realms of feedback like sustained sounds, this is certainly not an easy work to access. Its however one, I think, that is quite beautiful. The sustaining sounds produced by what seem to be the main instruments (saxophone and viola) are already quite nasty, but in addition to whatever they are doing, this is a great work, totally demanding full concentration of the listener, but also totally rewarding. Excellent discs, both of them.