Alexis O’Hara and D.Kimm make art that thrives on contradictions, in several senses of that word. From their backgrounds in poetry and theatre, the two women have developed an improvised approach to performance art that layers elements of noise rock, spoken word and absurdist humour in its creation. On stage, their stories and observations flow through several languages, ideologies and politics, with enough wit to deflate expectations either liberal or conservative in their leanings. On this debut recording, their musical constructivism is expanded upon and atmospheres that emphasize paranoia, physicality and desire are skilfully created. In interviews, O’Hara has expressed a wilful clumsiness towards electronics that plays a part in the discovery of improvisation. This further imbroglio of intent versus expression helps confuse, defuse and deepen meaning in the too often strident and narrow forms of mono/dialogue. This way, Mankind deliver their message(s) at odd angles with subtlety and humour before resistance is ever mounted.