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Plant II Plant

However, when Denley and Normand unleash the invisible forces inhabiting the darkest caves of acoustic filthiness, an impressive array of magnified micro-events appears as a completely new world. It’s a place where categories aren’t required, the actual nature of an uglier soundwave exposing its cantankerous nakedness without restraint, a pitiless disfigurement of what is familiar revealing at last a praiseworthy artistic rectitude. The Squid’s Ear, USA

Plant II

Plant

Jim Denley, Éric Normand

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