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Review

Ron Davies, Splendid E-Zine, 10 avril 2000

On this instrumental sound barrage, trio Klaxon Gueule create a sonic wasteland reminiscent of Einstürzende Neubauten’s harsher work. Accelerating beatings, random crashes and vicious drill whines collide to disturbing effect. Impossible to define, the musicians themselves toss out the phrase "electroacoustic chamber ensemble," which is as good as anything I could dream up. Musique concrète at its heaviest, this is a serious album intended for concentrated listening, assuming that you can take it.

Musique concrète at its heaviest, this is a serious album intended for concentrated listening, assuming that you can take it.

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