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Review

Dolf Mulder, Vital, no 1183, 13 mai 2019
mercredi 15 mai 2019 Presse

The profiled Quatuor Bozzini started in 1999 and interested mainly on contemporary music. They make their own decisions in choosing and producing their programs, never taking the easy way. Over the years they built up the impressive experience and premiered hundreds of compositions. About 20 CDs appeared filled with works by John Cage, Phil Niblock, James Tenney, Gyula Csapó, etc., etc. This time they concentrate on a composer from their homeland Canada, Simon Martin. Martin is a composer and producer of contemporary concert music, operating in the footsteps of Harry Partch, La Monte Young and James Tenney, implying a focus on natural intonation. With Musique d’art they set their teeth in an hour-long, five-movement composition for string quintet. Besides the Bozzini sisters and Allisa Cheung and Clemens Merkel, they are joined here by Pierre-Alexandre Maranda playing the double bass. Earlier Quator Bozzini performed work by Martin: Icebergs et Soleil de minuit — Quatuor en blanc (2007). But Musique d’Art is a welcome next step. The work is built from extended dissonant and abrasive sound entities, moving on like a massive tectonic plate, with a very differentiated sound spectrum at a micro level. In the second part there occur some dramatic changes where the music changes into harsh and noisy sections. Overall with this composition Martin offers an intriguing exercise in combining noise and music, that reminded me at moments of the work of Rumanian composer Iancu Dumitrescu. Playing with timbre and pitch the music deeply resonates, and is very expressive and emotional in its own way. In a great performance by Quator Bozzini and Maranda!

Playing with timbre and pitch the music deeply resonates, and is very expressive and emotional in its own way. In a great performance by Quator Bozzini and Maranda!

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