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Solor Lori Freedman

  • Conseil des arts du Canada
Ce texte n’est pas disponible en français.

In 2016 I made an 11-city North American solo tour called The Virtuosity of Excess, the programme for which was a collection of five scores, two of which were written for the tour: this was music whose scores contained (and still do) the most detailed notation and performance instruction I have ever played. The sixth part of that “monster” was my own composition influenced by and in reaction to such an extreme performance aesthetic. This programme is now available on the cd recording Excess (Collection QB). My main post-tour desire was then to expand on my own creative work, much of which had been already evolving in direct relation to the excess programme, either with it or against it. I spent the next chunk of time developing both on paper and in playing, my own ideas that were born primarily from that all-consuming period of interpretive work.

Solor is a recording of some of my past and current creative work. Heard here are my performances of 5 of my solo compositions, 3 of which were written for the album, plus two improvisations.


Lori Freedman

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Notes de programme

About the works

Ce texte n’est pas disponible en français.

This is music,
This is my music that is only this music that is “my music”.
This music that is my music is only music that can be nothing else.
Unless it is a chair.

Or a window.

Maybe this music is also a window.
My music, a window.
A windlo.
A loblo and a hiblo. A fulblo and a miblo.
À Moblo.


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