More desiccated modernism by Quattor Bozzini as they perform Momento (CQB 1615) by the depressing post-serialist Aldo Clementi. This Italian composer who died in 2011 seems to have regarded his work in purely academic terms, measuring his success as a series of “contrapuntal exercises”; critics, when attempting to summarise it, apparently tend to reach for metaphors of decay. Clementi strove to compose music that describes its own gradual extinction. One imagines he was happiest when watching the sands run out of an hourglass, and then retiring to bed replete with the satisfaction that another day had been wasted. These various canons and other pieces, ranging in date from 1968 to 2005, brought a deathly pallor to my skin, induced short breathing, and made me dream of wandering 19th-century parlours with no windows and heavy green wallpaper everywhere.