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Artists Rémi Leclerc

A self-taught musician born in Québec City on 11 April 1961, Rémi Leclerc has been a member of Miriodor since 1981. He is or has been a percussionist with Trafic d’influence, Les 4 guitaristes de l’Apocalypsobar, L’ ou ’L, Locomotive, Michel Faubert, the Carbone 14 theatre company, L’Orkestre des Pas Perdus, Les Projectionnistes, Jeszse Raz, and Jade Leary.

Rémi Leclerc

Quebec City (Québec), 1961

Residence: Montréal (Québec)

  • Performer (drum set, percussion)

Associated Groups

Main Releases

Tour de bras / TDB 9010 / 2014
Ambiances Magnétiques / AM 068 / 1999
Ambiances Magnétiques / AM 071 / 1999
Ambiances Magnétiques / AM 060 / 1998
Ambiances Magnétiques / AM 040 / 1996
Cuneiform / RUNE 78 / 1995
Cuneiform / RUNE 32 / 1993
Cuneiform / RUNE 14 / 1991

Appearances

Malasartes musique / MAM 025 / 2016
Various artists
Les Filles électriques / LFE 0601 / 2006
  • Temporarily out of stock

In the Press

  • François Couture, AllMusic, June 1, 2002
    … a repertoire of quirky angular songs…

Portrait: Papa Boa

François Couture, AllMusic, June 1, 2002

A Montréal avant-rock group with ties to the Ambiances Magnétiques collective, Papa Boa is one of many projects involving Bernard Falaise and Rémi Leclerc. The group writes complex songs out of studio improvisation sessions, including lots of sampling and oddities, and is driven by Falaise’s highly original guitar work. They have one album out.

In 1991, Falaise, drummer Rémi Leclerc (of Miriodor and various projects by André Duchesne) and bassist Frédéric Roverselli struck a friendship. Out of it came Papa Boa, at first a loose studio collective to which reedist Pierre Labbé was later added. All members (minus Labbé, a jazzman) have a rock background and their first intention was to explore freer structures that would include electronics. Their first experiments consisted mostly of improvisations. The group debuted on stage in 1991 during the Festival du Théâtre des Amériques in Montréal. The next few years saw little activity, the unit being used mostly as a laboratory as Falaise and Leclerc’s profiles were constantly on the rise in avant-rock circles.

The group provided the soundtrack to Michel Lefebvre and Eva Quintas’ multimedia work Liquidation in 1997. Engagements began to pile up, leading to an active period of three years. The quartet (occasionally augmented by guests such as Marcelle Hudon and storyteller Michel Faubert) performed concerts at various Quebec festivals (Festival des Musiques Fraîches in Quebec, Festival des musiques de création in Jonquières). They built a repertoire of quirky angular songs and recorded Tête à queue, their first CD. It was released in May 1999 by Ambiances Magnétiques. Performances at the Festival International de Musique Actuelle de Victoriaville in May 2000 and the Montréal Jazz Festival the following year raised the group’s profile, but the members’ other projects finally claimed them back and Papa Boa went dormant.

… a repertoire of quirky angular songs…

Articles Written

  • Rémi Leclerc, entracte, December 1, 2007

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